celtic fantasy fiction & more
06 December 2010
commas, semicolons, full stops and other decisions, such as when a sentence becomes a run-on and if said run-on is actually part of one's style and is effective in getting one's point across
I've always been a fan of writers who toss out the rules. It's a delicate balance, of course, because a complete disregard for structure can be counterproductive. But once the basics are mastered, to me a unique style is truly achieved when a writer finds their own rhythm and that includes tossing out a rule or two.
Take this article from Throw Grammar from the Train. Jane Austen is famous for her semicolons and... although I enjoy it, it seems many writers have debated her accuracy and/or appropriateness in using said punctuation mark.
Take another example: the run-on sentence. Sometimes a run-on is a very effective tool, as in dialogue when attempting to convey a character's anxiety or excitement, or in narrative when attempting to convey the mood or atmosphere of a group or scene.
I confess I haven't read many of the "greats" lately; I was exposed to too much Dickens, Hawthorne and Shakespeare at too young of an age and now prefer, for instance, early Stephen King. But I know they gave me a foundation on which to base my departure from what is considered proper writing into what I consider My writing.
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